1980s and after
Popular music in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success. The advent of MTV helped spur the Second British Invasion in the early years of the decade, with British bands enjoying more success in America than they had since the height of the Beatles' popularity in the 1960s. However, by the end of the decade a fragmentation has been observed, with many new forms of music and sub-cultures, including hip hop and house music, while the single charts were once again dominated by pop artists, now often associated with the Hi-NRG hit factory of Stock Aitken Waterman. The rise of the indie rock scene was partly a response to this, and marked a shift away from the major music labels and towards the importance of subgenres, like gothic rock.
Goodnight Girl
by Wet Wet Wet in 1992
It's raining men
by The Weather Girls in 1983
The Winner takes it all
by Abba in 1980
Young at Heart
by The Bluebells in 1984
Hey!
by Julio Iglesias 1980
Two Hearts - Phil Collins 1988
Xanadu - Olivia Newton-John with The Electric Light Orchestra (ELO) 1980
